Adam is a sound designer, composer, producer, sound recordist, performer of Edgelands-Electronica and mentor.

He has created sound designs and music scores for theatre, dance productions, radio and audio dramas, audiobooks, podcast series, and film. He has also devised several multi-speaker, interactive sound installations for galleries and museums.

His work for theatre focusses on creating soundscapes that combine ambiences with music and digitally manipulated sound recordings to create complex, evolving audio environments, developing sonic scenography for live or recorded dramatic narratives. Edgeland Electronica is Adam’s exploration of liminal and psychogeographical environments in audio form.

Adam is a trustee of Can’t Sit Still Theatre and an associate artist with 1623 Theatre and Little Pixie Productions.

Theatre: You Bury Me (Paines Plough); One Off (Live Newcastle); Compositor E (Vault Festival); 71 Coltman Street; TWO; The Beauty Queen of Leenane; Abigail’s Party (Hull Truck); Crongton Knights, Noughts and Crosses, Brighton Rock (Pilot Theatre); We Should Definitely Have More Dancing, The Jungle Book, (Oldham Coliseum); The Cherry Orchard; Arcadia; A Skull in Connemara; Chicken Soup with Barley (Nottingham Playhouse); The Fishermen; trade; Maryland; The Great Almighty Gill (New Perspectives)

Audio: Voice of the Fire by Alan Moore (Audible), The Fishermen ( BBC Radio 3, Naked Productions), Letters of Constraint (National Justice Museum) , The Black Dog; From Sad Shires (Little Pixie Productions), PlacePrints (New Perspectives)

Installations:Objects of Love; Hope & Fear (Derby Museums), Conflict & Chaos (National Civil War Centre)

Socials: @AdamPMcCready

Music available at Bandcamp: https://adampmccready.bandcamp.com/Soundcloud :https://soundcloud.com/adampmccready